Colette Fu's one of a kind pop-up artist books, based directly on her experiences learning about her ancestry from the diverse peoples of Yunnan Province in Southwest China, will be on view in the Dana Gallery this fall. Through layers of photographs, her books document the life and complexities of the 25 minority tribes that live in this region. Fu says of her work, "Pop-up and flap books originally illustrated ideas about astronomy, fortune telling, navigation, anatomy of the body…

The exhibition War Memoranda: Photography, Walt Whitman, and Memorials by Binh Danh and Robert Schultz examines the question "How do Americans remember war?" Using photographic portraits of soldiers developed onto leaves, historic battlefield landscapes photographed with 19th-century technologies and poems about war artist Binh Danh and poet Robert Schultz provide intimate reflections on the aftereffects of war. This exhibition features original photographs, poetry broadsides, chlorophyll prints and artist books, drawn from the war poems and prose of Walt Whitman, our…

From 1903 to 1908, Käthe Kollwitz created plates for Bauernkrieg/Peasant War, a series of etchings that represents the brutal treatment of peasants in sixteenth-century Germany, their rise to revolution and battle, and their subsequent humiliation and death. Although based on historic events, she used this series as a vehicle to criticize and protest the anticipated tragedies that unfolded across Europe during the first half of the twentieth century. Kollwitz has been, for over a century, a major influence on print…

Opening reception and Artist in Conversation for Colette Fu: We Are Tiger Dragon People Dana Gallery/College Center Atrium Colette Fu's one of a kind pop-up books are based on her ancestral explorations. Fu traveled to China's Yunnan Province, where 25 of the nation's 55 minority tribes reside. Her exploration in the varied cultures of China culminated in a remarkable body of intricate pop-up books and photo collages titled We Are Tiger Dragon People. Fu says of her work, "Pop-up and…

Noon in the Nissley: please join us every 2nd and 4th Wednesday each month from September 12 to November 28. During these mini, museum staff and guest "stars" such as faculty, among others, will highlight three objects on view in the Nissley Gallery. The Phillips Museum of Art at Franklin & Marshall College is pleased to present a major reinstallation of its Nissley Gallery, named in honor of Tom Nissley '55, who generously provided funding for this gallery. Featuring over…

L.I.F.T., the Philadelphia Alumni Writers House's student spoken word performance group, along with the English Department and the Philadelphia Alumni Writers House will co-host a night of poetry in the Phillips Museum of Art's Rothman Gallery. Jonny Teklit '19 will curate the evening's readings. Rothman Gallery The exhibition War Memoranda: Photography, Walt Whitman, and Memorials by Binh Danh and Robert Schultz examines the question "How do Americans remember war?" Using photographic portraits of soldiers developed onto leaves, historic battlefield landscapes…

Noon in the Nissley: please join us every 2nd and 4th Wednesday each month from September 12 to November 28. During these mini tours, museum staff and guest "stars" such as F&M faculty, among others, will highlight three objects on view in the Nissley Gallery. The Phillips Museum of Art at Franklin & Marshall College is pleased to present a major reinstallation of its Nissley Gallery, named in honor of Tom Nissley '55, who generously provided funding for this gallery.…

Gallery talk: Phillip Earenfight, Director, Trout Gallery and Associate Professor of Art and Art History, Dickinson College, Carlisle, Pennsylvania Gibson Curriculum Gallery From 1903 to 1908, Käthe Kollwitz created plates for Bauernkrieg/Peasant War, a series of etchings that represents the brutal treatment of peasants in sixteenth-century Germany, their rise to revolution and battle and their subsequent humiliation and death. Although based on historic events, she used this series as a vehicle to criticize and protest the anticipated tragedies that unfolded…